****
4 out of 5 stars
My
faith in literature is restored.

This
is the second in a series of novels that I have publicly declared my
adoration for to the point where it might be bordering on obsessive.
The first,
the Lies of Locke Lamora,
I have waxed poetics about to anyone who would listen. The
characters are beautifully done and, lets face it, any story where
you give me thieves or pirates, I'm pretty much going to squee like
the little fangril that I am. These novels fit under the criteria I
have for fantastic books by causing that horrible moment of not
enjoying any novel read directly after finishing these ones, because
nothing else compares.
In
Scott Lynch's sequel,
Red Sea's Under Red Skies,
we pick up where we left off in the last book. Now, I won't give
anything away in case you've had the misfortune of not picking this
series up yet, but lets just say, that when we last saw our
antihero's, they were pretty much up the creek, without a paddle,
while trying to heal gaping wounds and knowing that the gods and
anything else remotely powerful, had a price on their head. It was
good times for all.
So of
course,
Red Sea's
jumps right into the character trying to rebuild what they have lost
and trying to adjust to a new city. And by adjusting, I mean that
they get caught up in gambling rings, political upheaval, a secret
society that wants their heads on a platter, and a whole slew of
misunderstood moments because Locke has issues but we love him to
death because he's the embodiment of what a rogue should be. Also,
Pirates.
Pirates.
They
are female and can hold their own and you don't want to shove them
off a cliff for being a stereotypical ice cold bitch because
apparently us females can only be written three different ways... I
may have some issues with female characterization lately....
Anyway!
Fully realized, kick ass, women who actually still feel like they are
women! Huzzah!
At
this point I think it should become pretty apparent that I'm babbling
and may just really love this book because there are pirates in it.
Have I mentioned the pirates.
Alright,
now for the serious portion.
Lynch
is what I would consider a good writer. He strings words together to
form these beautiful moments that I have to stop and say out loud
because they are simply the type of words you want to feel roll of
your tongue. Then, in the next paragraph, he is crass and vulgar
because his main characters are vagrants who are cheating, lying and
drinking their way through a city and a job. I love this about him.
He knows when certain dialogue is appropriate and he knows how to tug
on romantic heartstrings and send his reader into a brief love affair
with words.
That
being said, he can be long winded. One of the things that I've
noticed about him in the last two novels is that he spends a lot of
time developing his world. While normally that wouldn't be an issue
for me because I am all about development, I feel like there are
moment that Lynch dives too far into his description. I'm not sure
if I want to consider this a slight on him however because I know a
lot of people who love description. Blocks of text work for some
people. I'm the type of reader that wants dialogue, however, and
don't care so much about what the city looks like when we first enter
the scene or the political structure that is controlling this
society. I want to find all that out as the story goes. But, I am
aware that this is more of a personal choice than anything else. I
also think that part of my irritation about these blocks of text
stems from the fact that I wanted to know what was happening next.
Lynch writes such an intriguing story that I don't really care what
the city looks like or about the aqueducts that were laid when it was
first built. I want to know if Locke is going to make it out of the
situation without being beaten to death and if he has another trick
up his sleeve to do so.

My
other issue I would like to bring up isn't so much of a complaint but
more of a warning. Do not read this book if you are someone that
wants to sit down and check out for a while. If your mind is prone to
wandering during novels, this is not your tale. Lynch loves to write
with intricacy and he snuggles up to convoluted ideas at night with a
warm mug of cocoa. There were moments that I found myself having to
go back and fact check things because he throws so much at you that
at times, you struggle to remember who is good and who is bad and who
it is they are supposed to be trusting. Which, now that I think about
it, is probably the point. However, it is not a novel you can sit
down and passively read. Get yourself immersed in this world and
learn these characters because if you don't, you are missing out on
the genius of this story.
And
finally, I love these characters; The Gentlemen Bastards. Their names and titles fit them perfectly (both
their real names and their false ones). Jean has become much more
developed in this book and has moved passed the muscle of the group
and Locke, and I don't think I can stress this enough, is what a
rogue should be. He
can't
fight. He's not someone that you should be entrusting with an army
or even with your life. But he can talk his way out of a situation
and rob you blind, all with a smile on his face. The fact that the
author did not make him strong or even all that competent in fights,
the fact that he is somewhat of a coward, makes this character real.
He has flaws and he has many. I have a feeling we will be learning
more about these flaws in the next novel when a certain redheaded
woman who we've been hearing about for two books, finally makes her
appearance.
If
you are a fantasy reader, buy this book. It is intelligent, funny,
and all the things that a woman looks for in a man but has the added
benefit of not whining at you while they are sick with the common
cold or a leg cramp.
Also.
Pirates.